Advice

What to do with an empty afternoon

By Stewart Ferris

An unplanned hour is a gift the block knows how to spend for you, usually on other people's words. You open the draft, feel the size of it, and decide to 'just look something up'. The hour ends in a tab you will not remember. Plan the empty afternoon before it arrives, in one sentence.

If the book is in a sulk, do not spend the hour negotiating with the sulk. Spend it on a bounded task written on a card: the next scene in 500 words, or a letter from the character who is refusing to speak, or a list of ten things that could go wrong at the wedding. Bounded tasks end. Moods do not.

Protect the first ten minutes from improvement. No rereading beyond the last paragraph, no tidying the previous chapter's commas. The afternoon dies in those ten minutes more often than in the writing itself. Once new words exist, the rest of the hour has something to attach to.

If you truly cannot face the book, write something that feeds it without being it. A page of sensory notes from a walk. A scrap of dialogue overheard and then worsened on purpose. An entry in the voice of the antagonist who thinks they are the hero. These are not avoidance if they go back into the folder the book lives in.

When the hour is over, stop even if it is going well, and write one line about where to begin next time. Future-you, faced with another empty afternoon, will use that line. Without it, they will open a browser and call it research.